[Here’s another instance of Amazon Kindle Direct Publishing (KDP) terminating a writer’s account and impounding their royalties – and this one hits closer to home. A week ago the Scroll covered what three romance authors said happened to them (see #1 here), and today award-winning Nigerian sff author Oghenechovwe Donald Ekpeki reported his own crushing setback. His Facebook post is signal-boosted here with his permission.]
By Oghenechovwe Donald Ekpeki: An account of how Amazon.com and Amazon Kindle Direct Publishing stole my royalties and kicked me off their platform for no sensible, coherent reason. It’s more comprehensive on this Twitter thread.
But if you prefer to read it here…
Published the 1st ever Year’s Best African Speculative Fiction anthology in October last year. Amazon said I couldn’t get royalties for it till January this year. Then on December 31st they rushed to shut my account down, just before we crossed over into the new year.
While fireworks were going out they were busy getting in one last evil for the year, to steal my royalties, over $2000 last I checked. Preorders and sales for 3 months. Proceeds for all the work, hype, all gone. For these stupid, inexplicable, senseless reasons.
[They say] I have multiple accounts/my account is related to one that was terminated. Wait, which one is it? Do I have multiple accounts or is my account related? Or is it both? My account is related to one that was terminated for violating their terms. What does that even mean?
How do accounts get related? Did account Zeus come down from Olympus to impregnate the aunties of my account and so the kids of those accounts are now related to mine? What does it even mean? If other account does something violatey what’s it got to do with me? Are they saying I have multiple accounts? Like I opened multiple accounts with the same email? Is that even possible? And if not then how do they know other accounts are “related” to me. Or, not to be paranoid, what if it’s someone opening similar accounts for this very reason?
All these I ask, and they hit me with the all these we-shall-find-out-in-the-next-episode response. Cuz it’s holidays. They can’t respond to me some days before the end of the year and some days after. But they terminated the account in the middle of the festivities, on holidays.
You aren’t online to respond. But you were able to terminate the account? Okay. So I ask all the same, they eventually get back to me. Which is basically saying whatever man, f*ck off. It doesn’t answer my questions. If anything it shows they are bullsh!tting. They are “confident”.
What does that even mean? You are confident so your confidence means you can take my money? People take money on confidence now? That how it works? Can I go to the bank and be confident the money there is all mine and take it all? For my confidence. Huh?
My money for all the expenses I’m trying to recoup, covers, author payments, etc, gone. & it’s not even all my money. Didn’t crowdfund it. And no way I can afford to pay 28 writers, 1c per word reprint rate alone. So now I’m owing someone I promised to repay once royalties kick in.
I’m owing some of the writers too cuz I couldn’t pay every1 yet, even with my silent partner whom I promised half the profits after cost, chipping in. Who knows? Maybe I’ll get dragged by them, or my writer friends I haven’t paid yet, and end up on Writers Beware.
I’ll be doing a fundraiser to try to recoup some of the money, for costs and payment and then I’ll make the anthology free. Even if just the kindle version. I think I should, to ensure this anthology continues to see the light of day which it surely must. And sort the finances.
I’ll be doing the same for the Bridging Worlds non-fiction anthology which I have made expenses on as well but which I can’t now publish as I don’t and can’t have an Amazon account. And that’s 98 percent of self-pub I can do tbh, of my profits too. So a fundraiser and free books.
Either that or fight a global, gigantic monopoly run by a cliche billionaire villain. This is the end of Jembefola Press. I know I’m usually slow. It took a while, but I think I get the message finally. I won’t be publishing anymore. At least not while I’m on the continent.
I don’t think I’m supposed to. The obstacles I’ve faced on the path to this are indicating that. Firstly navigating payment and publishing at all, getting shut out of platforms when I put in the region I’m from, having to pretend to be from the US or somewhere in the West.
Using services that mimic US bank accounts, Having to essentially, even literally lie I’m American, being unable to use PayPal, or the usual payment methods. This isn’t even the first time I was banned. 1st was from Draft2Digital for being Nigerian https://t.co/KTJhpt22kl
A serious ass company didn’t know Nigerians use VPN now cuz of Twitter ban? The most populous nation on the African continent.
Amazon was a chore to figure out and finally use. But it wasn’t the 1st time their platforms were being used to sabotage me. Shortly after publishing, racists who target works by Black authors were review bombing me on Goodreads. https://t.co/UgFRygD5zR
SFWA helped with the review bombing saga. But that was a process. And a stressful one I didn’t need in the middle of publishing, editing, organizing panels, my own writing. I almost didn’t bother. Like many folks I’m sure never bother with all this https://t.co/yExz75m7jt
And we never know or hear about those ones who didn’t bother. But always wonder why aren’t there so many African writers, why aren’t they winning awards, active on the scene, big, writing a lot, writing door stoppers, many books series. This is why. This and more.
They’re busy, spending their time and energy complaining about things like this. Trying to deal with payment systems that lock us out, funding methods that don’t also cater to us, racists systems, racist people trying to review bomb us. And this is just what is directly hostile.
You can see it’s a bit. So yea, I get the message loud and clear. Ya’ll can have your publishing industry back, for now. I know I’m the average pain loving writer. Yayyy my one million rejections. But sometimes it’s just too much. Make I rest. It’s too much because…
This right here isn’t even a fraction of what you experience coming from here. Being a disabled African writing and publishing from the continent. If I want to quantify it, it’s 0.00000 recurring % of what goes down. People think marginalized writers get points for activism.
Truth is, lots of the struggle is never really shown. Cuz it’s too ugly, personal & unfit for public consumption. Meanwhile I type “Does GoFundMe…” and the rest shows …work in Nigeria? Folks been curious. And no It doesn’t. I’ll let you all know when I figure out a platform.